Shields, Sask. — For Joan and Al Hiebert, retirement was never about resting, it was about starting something new.
While others may have sought relaxation, the Hieberts dove headfirst into a new adventure: they opened Hieberts Hot Shop, a glassblowing studio in the heart of the Saskatchewan prairies.
“We retired about 20 years ago, and since then I’ve been doing glass full-time,” Joan explains with a smile.
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Joan refers to herself as a “glass lady.” It’s a modest title for someone whose life has been shaped so greatly by the art form.
Joan says she has always been drawn to glass art, starting with stained glass decades ago. Al, initially indifferent to the craft, was eventually roped in by Joan’s enthusiasm.
Over time, their shared passion grew, and Al became as immersed in the process as Joan. He now does more of the actual glass-blowing, while Joan focuses on sculpting the hot glass.
The couple started their glass-blowing journey in 2002. While they may not consider themselves experts, they’ve certainly become skilled practitioners.
“They told us it would take 10 years to get good at this,” Joan recalls. “Well, we’ve been going for 22 years now, and we’re still having fun.”
“We spend about 10 hours a day here, almost every day,” Joan says as she looks around the shop, admiring all that she and Al have built.
The space hums with life — the flicker of furnace flames, the whir of machinery, and a steady flow of students and artists eager to learn and create.
Surfaces are piled high with tools, supplies and equipment, creating an organized chaos. Just when you think you’ve reached the end of the workshop, another door opens, revealing more space for creative freedom.
From glassblowing to pottery, blacksmithing, woodworking, and even a mechanic’s shop, the studio is a treasure trove of possibility. It’s not just a place to work; it’s a sanctuary where ideas are born and brought to life.
“We have everything from cold, warm, and hot glass,” Al says with pride. “Most studios focus on just one temperature range, but we’ve got it all.”
The studio is also a place of teaching. Both Joan and Al were educators before they retired, and they’ve carried that love of teaching into their new venture.
The shop hosts workshops for the Saskatoon Glass Workers Guild, and offers classes for anyone — from children as young as 12 to adults in their 80s and beyond.
“I think glass art is for everybody,” Joan says, reflecting the inclusive spirit that has defined their studio.
“It’s amazing to see people come in and realize they can create something beautiful with their own hands.”
Students often come to the Hieberts with great excitement, eager to try their hand at glassblowing, but quickly discover the challenges the craft brings.
“People think they’ll learn it overnight, but it takes time,” Joan explains. “There’s heat, there’s safety, and there’s a lot of focus required.”
The furnace in the hot shop burns at greater than 1,200 degrees Celsius. The liquid glass, which is even hotter than molten lava, generates a sweltering heat in the studio.
“It’s pretty hot in there,” Al admits, “but you get used to it. After a while, you feel chilly in a house set at 20°C because you’re so used to the heat in here.”
The couple say tolerating the heat is worthwhile to experience the sheer joy of creating something beautiful.
Whether it’s sculpting intricate glass forms, casting molds from everyday objects, or turning colourful glass puddles into whimsical garden decorations, the possibilities are endless.
Al is 81 and Joan will turn 80 later this year. Even so, the Hieberts have no intention of slowing down.
“Our son says we flunked retirement,” Joan laughs.
While they may have flunked retirement, these former teachers certainly get bonus marks for creativity.
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